Showing posts with label Dia de los Muertos. Show all posts
Showing posts with label Dia de los Muertos. Show all posts

Friday, January 15, 2016

El Chapo or El Checo? Distant Cousin scoops the news again. Twice!





Fans of the Distant Cousin books already know the series has anticipated many recent and surprising events in the world today, in politics, medicine, athletics and more. (There are EIGHT examples here.) Now, in quick succession, there are two more.

In Distant Cousin: Santa Muerte, Earth's favorite extraterrestrial Ana Darcy Méndez and her daughter run into one El Checo, a notorious drug kingpin, in northern Mexico. Let's only say that their encounter turned out a little differently than the one that put the real El Chapo in the news five months after the book was published.

The second item is also from the news of the last few days: progress in the fight against river blindness, a nasty disease the World Health Organization calls a "neglected tropical disease." The lack of treatment was noted in Distant Cousin: Repatriation in 2006, chapter 32, in which Ana cannot understand why the people of Earth don't do more to fight it. Now, at last, they have. About time!

The Distant Cousin stories do NOT try to predict the future. Their genre has always been difficult to define. They take place on Earth in the present day with only humans (including Ana, the extraterrestrial), and the occasional cat or horse. They have been called character-driven western Chicano action/adventure romance sci-fi stories. Whatever they might be, they are also fun!




Monday, September 7, 2015

Distant Cousin: Santa Muerte SAMPLE



“Unit 212.”
“212. Go ahead.”
Ken Stackhouse, senior sociology major at The University of Texas at El Paso, did his best to follow the terse exchange of information between Sergeant Molina and his dispatcher, but it was confusing. Police communications were not chatty.
 “You follow that, kid?” Molina asked.
“Maybe. They’re asking you to back up another unit somewhere, right?”
“Right: a fight at a sports bar just off North Mesa, about a mile from here.”
“Did one of those codes mean lights but no siren?”
“Right. And that means what?”
“I guess it means it’s over. They’re finishing up.”
“Yeah. Coupla injuries, not serious. EMTs are there.”
“I missed that part.”
“We’ll check around, make sure the area’s clear and then go inside.”
“Will they be expecting you?”
“Yeah. Did you hear someone say ‘240?’”
“Uh, I think so….”
“That’s unit 240 onsite, Amos and Russell, saying they’d heard we were backing them up.”
“Ah.”
In four evenings patrolling with Sergeant Molina, Stackhouse had yet to see any real action, but that was fine with him. His major emphasis was community relations, not law enforcement. He didn’t need to learn the arcane professional lingo the officers used. Their relations with the public were more to the point.
The sergeant turned the cruiser onto a four-lane street where, several blocks ahead, the flashing lights of an ambulance and a police cruiser signaled their destination. Molina drove past slowly, checking both sides of the avenue, turned left, and repeated the process all the way around the block. Except for the emergency vehicles everything looked quiet. He pulled in alongside the other cruiser, notified the dispatcher, and unfastened his seatbelt.
“I’m going inside,” he said. “I suggest you stand by out here until I get back.”
“OK. Sure.”
He’d been riding awhile so he got out and stretched. Sporty’s Bar and Grill was in the middle of a block of mid-level businesses. Some were open (Subway, Walgreens), others closed. Perhaps fifty vehicles were parked nearby. A girl was leaning against a cement planter full of ornamental bushes to the left of the bar.  He walked over.
“Hi,” he said.
“Hi,” she replied.
“Whatcha doing?”
“Waiting for my brother.”
“Why?”
From her glance at him she clearly knew he wasn’t a police officer. He was in street clothes.
“I’m a college student,” he explained. “I’m riding with the police as an observer.”
She nodded but didn’t bother to answer his question. She was cute: petite, long light brown hair in a ponytail, tight jeans and a frilly green blouse with a splash of colorful Mexican embroidery down the front.
“Did you see any of what went on here earlier?” he said, tilting his head towards the sports bar.
“Uh-huh,” she nodded.
The doors of the bar opened. Two EMTs emerged pushing a gurney. The head of the man on the gurney was wrapped in a white bandage. Next came two walking wounded with white bandages on their hands that made them look like cartoon characters. A police officer brought up the rear. The officer watched them all load into the ambulance, which rolled away under flashing lights. Sergeant Molina and a third officer emerged and the three conferred briefly. Amos and Russell got in their cruiser and followed the ambulance.
“This young woman said she saw what happened,” he said to Molina.
The sergeant walked to her.
“Were you inside or outside, miss?” he asked.
“Inside,” she said. “They started arguing about soccer teams,” she said, “my date and his friend, and three other guys. They got angry, started pushing each other, and a fight broke out. I came out here and called my brother to come get me,” she said. “My date was an idiot. They were all idiots.”
 “Have you got some ID?” the sergeant asked.
She nodded.  She pulled a driver’s license out of her pocket and handed it to him. He studied it briefly.
“Happy birthday, Ms. Méndez,” he said. “Have you had anything to drink?”
“A licuado. Strawberry.”
“Nothing alcoholic? To celebrate your birthday?”
“No, sir. My date celebrated for both of us. The dummy.”
“Can you add any details to what you’ve told us?”
“I saw the third guy drive off in a yellow sports car. It might have been a Corvette; I don’t know much about sports cars. He had tattoos all around his neck. I heard him called ‘Feo.’”
“’Feo.’ So, was he ugly?”
“No. He wasn’t bad looking at all.”
“Irony. Figures. What sort of tattoos?”
“They were vertical lines or bars, kind of, and I guess it was a scorpion, below his right ear.”
Molina was jotting notes in a small notebook.
“Did you happen to notice the license number?”
“No, sir. I’m sorry. I didn’t. He was in a hurry.”
Molina studied the driver’s license again. He made another note.
“OK, Ms. Méndez. Here’s your ID and my cop card. If you think of anything else, please call us. We might get back in touch, all right?”
“Yes, sir. Of course.”
“When do you expect your brother? Soon?”
She looked at her watch.
“Ten minutes. I hope.”
“OK. We’re going to check inside again. If you’re still here when we come out, we can drop you somewhere or call you a cab if you need.”
“I’ll be fine. Thanks.”
Stackhouse followed Molina into the bar.
“Kid had manners,” Molina said.
“Yeah, but she was pissed,” Stackhouse added.
There were still customers in the bar, but not in the vicinity of the pool tables, where there were a tipped over table and chairs, spilled drinks, broken glasses, and two halves of a pool cue. A bus boy was pushing the wreckage into a pile with a broom.
The manager was behind the bar on the telephone, apparently with the bar owner. He hung up.
“Still don’t want to press charges?” Molina asked.
“Not worth the insurance hassle,” he said. “Something like this happens every month or so. Goddam soccer. It’s the worst.”
“Every month?” Stackhouse asked.
“More or less. Depends on what sport’s in playoffs. This bust-up was different, though. I told the other officers but they thought I was joking.”
“Joking about what?” asked Molina.
“The fight.”
“What about the fight?”
“It’s like this: soccer fanatics plus alcohol. A fight starts. We break it up. Sometimes we call you good folks. That’s the pattern. What isn’t the pattern is that a girl ends the fight.”
Molina perked up.
“What girl?”
“Young woman with the blond kid. One of the Hispanics coldcocked him and she tore into those guys big time.”
“Describe her,” Molina asked, his voice level.
“Little thing. Nice looking. Ponytail, jeans, green top. She blitzed the three of them in about fifteen seconds.”
Molina glanced at Stackhouse.
“Yeah? How?”
“I wish I knew. I was behind the bar. Soon as I saw them start pushing each other and cussing and the one guy throw a punch, I headed over to break it up. By the time I got there two of the guys had broken fingers on each hand and the third was limping out the door fast as he could. The blond kid was out cold.”
“The girl did that? Are you sure?”
“Well, yeah. I mean I didn’t see it blow for blow, but…hey, have you ever seen a cat go crazy, like on YouTube? I mean, they can go nuts sometimes, right? One tears into you and in five seconds you need twenty band aids. That was what she was like. Too fast to follow…but then you see the results. Know what I mean?”
“You believe that?” Stackhouse asked Molina as they left the bar. The girl was gone. Molina shrugged.
“I dunno. Maybe. The EMTs said each guy had broken fingers. The third perp would have limped away for only one reason: pain you know where. A drunk man wouldn’t have fought like that—too quick, too efficient. He would want to dominate his opponents, put them on the floor, lord it over them. Besides, did you notice that girl? Her blouse was pulled partway out of her jeans. Messy. Girls on dates want ‘em just right.”
“Man! Have you ever seen anything like that before?”
“Only in the movies.”

Thursday, December 13, 2012

Would you believe? Ana found a mola store!


Frequent visitors to Ana Darcy's blog know of Ana's love of the folk arts and textile arts of Earth. She visits every exhibit she can find of folk toys, dia de los muertos artifacts, paintings, arpilleras (textile sculptures), and molas from Panama (essentially folk paintings with fabric). We have covered many of these here.

One post, on the mola, elicited a comment from a woman in Panama who sells molas online. Florymola.com is a lovely website with hundreds, perhaps thousands, of molas on sale, plus information about the art form, the women who create them, and more.

We couldn't help it: we had to order some. They measure about 10 x 15 inches (25 x 40 cm) and are pictured below, front and back. At the same time very simple yet extremely intricate, they are immensely creative and colorful: totally unique, lovely art.

They could be framed, made into cushions, handbags, or added to clothing to stunning effect. They weren't expensive: only about $10 each. They mail all over the world. Mail to the United States takes three to six weeks.

We wouldn't be surprised if Ana Darcy accumulates quite a collection--but she'll do it under an alias, of course!

(Click for a full-size slide show.)

A frog




Two birds




Birds and...a bat?


http://www.florymola.com

(See the first paragraph above for links to other posts to Ana's favorite folk art.)

Do you know Ana Darcy, our Distant Cousin




Thursday, October 4, 2012

Still MORE Dia de los Muertos, Molas!

The items below were a part of the Folk Toys of the World (more here) exhibit which thrilled Ana Darcy so much. Her own people, on the planet Thomo, are not so exuberant nor whimsical in their art--except in their children's toys. Now that Ana has her own children and has worked and played with children around the world, she has found her soul opening to embrace the sheer, public joy of these creations. She's glad to share them!

These photos are generously sized to show details. Click any to start a slide show!


A detail from the above. These musicians are tiny!


Molas, as mentioned elsewhere on Ana's blog, are created from layers of material, intricately cut and stitched to make textile "paintings." They are made by the Kuna Indians, living on islands off the coast of Panama. Here we have birds, one with a broom and one with a fish! Amazing!









Thursday, August 30, 2012

The variety of Ana's blog: food, art, education, & more!

First, why not take a peek at Distant Cousin? It won't hurt and you might love it, and her!





Matt, husband of the extraterrestrial Ana Darcy, models a Dia de los Muertos t-shirt. The legend says "Beautiful Mexico," and  "Man proposes, God disposes, and along comes Death and everything decomposes." (Matt and Ana love to bicycle down their country road.)


Ana loves the foods of Earth. Here she's arranged a fruit plate according to the color spectrum! See many of her recipes in the column on the right, under the photo of cranberry-apple pie!



Ana is a huge believer in early education, and especially in reading and math. Here are two young practitioners! 

More on early education: 1  2  3  4  5  6  7  8



Ana loves the arts of the people of Earth, especially the Hispanic peoples (since she lives among them). Here's a mola and a painting of Don Quixote (oil on pine):



More of Ana's favorite art: molas   arpilleras clothing paintings  music

Language fun with Ana: Dichos   Mas dichos   Aun MAS dichos


"I have started reading Distant Cousin and I am charmed. It's been a breath of fresh air."



Monday, October 31, 2011

MORE Mexican Dia de Muertos figurines!

We've pointed out elsewhere how it took Ana a while to appreciate the Mexicans' acceptance of death as a part of life, a view that on her planet might be considered inappropriate. Not everyone on Earth would agree, either. Yet the tiny figurines below clearly reveal that such an attitude is more affectionate than mocking. Thousands of these are made in Mexico. Many are for sale, and Ana loves them now. The examples below will give some indication.

First a professor, perhaps (note the owl, a symbol of wisdom on his desk):

Next, a nurse giving an injection to a patient (note the salt and bread on the table, to nourish the spirits):


A woman selling chickens:


A bride and groom:


A grand señora:

And let's not forget the family dog! (He has stolen a loaf of pan de muertos, the traditional bread made for this day.)


Monday, October 17, 2011

The humor in El Dia de los Muertos


We've mentioned elsewhere how Ana, from a different society and different planet, for Pete's sake, came to appreciate El Dia de los Muertos, the Mexican observance of All Souls' Day. After the terrible experiences her ancestors barely survived in their early days on Thomo, they inevitably came to value human life even more than we do, partly because they value it collectively as well as individually. That is, their survival as a people depended on working together. To be sure, they have their disagreements as all people do, but these almost never descend to war, or the taking of lives.


Yet also, like people on Earth, they grow old and die. Ana instantly saw the value of El Dia de los Muertos. Thomans too remember and revere their ancestors. But their attitude toward death is to treat it as an adversary, to be fought at all costs. The idea of accepting it as a part of living was new to her, and took some getting used to.

One thing that helped her understand this notion was the humor Mexicans bring to the celebration. They make, sell, and buy huge numbers of tiny effigies or sculptures whose message is impossible to miss. Above and below are some examples: a skeletal bride and groom, with the legend "Hasta que la muerte nos separa," or "Until death do us part," and an ancestral computer user whose screen reads "Hay amor," "There is love." (Click any of these to see more detail.)






Finally, another humorous little sculpture less associated with El Dia de los Muertos, a Colombian airliner. In the first photo, "Aero Susto" means "Air Fright." In the third, "Milagro! Volamos" means "A miracle! We're flying!" Note that the plane is laden with products of Colombia: bags of coffee, bananas, roses, and people praying, holding on for dear life, and clutching their hands to their breasts. Nor are the animals left behind!










More:

Thursday, August 4, 2011

Ana learns to love the Mexican observance of El Día de los Muertos


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We may not know many specifics of the human society on the planet Thomo, but we can be sure of certain features in general. Families are important; ancestors and descendants are important. The arts--music, painting, poetry, literature, and so forth, are important. Religion is important. So is food. Security, love, manners, means of getting along, are very important.


We would expect when Ana Darcy (née Anneyn Darshiell) came to Earth she recognized the importance of those things in our society, even if she was unfamiliar with the details. (Her first impressions are recorded in Distant Cousin.) After all, where her people had one basic set of beliefs and customs, we have thousands of cultures and languages and cuisines. These were an unimaginably rich treasure for her to explore. They still are.

Given that she settled in southern New Mexico in an Anglo/Hispanic area, it stands to reason that she would be intimately exposed to the customs of both those cultures. One Mexican tradition struck her as so appropriate to her own society on Thomo that she adopted it herself, immediately. This customary observance might seem strange to the English-speaking world, enough so to deserve a note of explanation here: the custom of El Día de los Muertos, the day of the dead.

The origin of the observance lies some 400 years in the past, with the arrival of Spaniards in Mexico. The Spaniards--Catholic, of course--already observed All Souls' Day, the day following All Saints' Day. They blended this observance into the indigenous Indian celebration of their ancestors. The result is El Día de los Muertos, in effect, a Catholic celebration with Aztec overtones, among others. (This process, common in Catholicism, is called syncretism.)

There is nothing morbid about it--it is a joyous remembrance of one's ancestors. In the English-speaking world, we remember those who went before to some degree, with perhaps a few photos or paintings, a hymn or two, perhaps, and, if we're really thorough, a reading of old correspondence or sharing of family stories with younger family members. In Mexico, this process is formalized and elaborate. Cemeteries are cleaned up and decorated. Whole families spend the day there, have picnics and music, and decorate their houses with altars and flowers. Unlike Halloween, death is regarded as another phase of life, something to be commemorated and revered. Even food and drink are provided, for the spirits of those ancestors.

In Ana's Thoman society, each generation is numbered and remembered individually. There are many epic poems about deeds and persons of the past, somewhat like the ancient Greeks, which keep the past alive and help guide people into the future. Ana herself is the subject of one of these epics (in Distant Cousin: Regeneration). In any case, Ana instantly understood the importance of El Día de los Muertos, and enthusiastically adopted it. (Many Anglo families have as well. Being Catholic is not required for remembering one's ancestors!) The appropriateness of Ana's observation of El Día de los Muertos was featured in Distant Cousin: Reincarnation.

Below are two photos of observances of an El Día de los Muertos celebration (a third is above, at top). These three, from central Mexico, show a cemetery, elaborately decorated and crowded with celebrants, musicians, and the like. (You may right click these to open in another window to better see the details.)





The two below show observances in Mexican homes.







This one shows an altar in a college Spanish classroom in the United States. One of the students evidently remembered an ancestor who enjoyed weight lifting (left foreground).



And here is an altar in a non-Catholic Anglo household, with photos of ancestors, flowers, and items those ancestors enjoyed--including a bottle of liquor, center rear.



If anyone is interested in trying this custom, nothing could be simpler. Several days before November second, merely set out photos or representations of one's dear departed, add characteristic items they enjoyed, along with flowers and candles. Light the candles each night. You will find yourself thinking of those who preceded you more than you ever have before!